Goldenseal Advanced Cleanse and Detoxify 4 Oz by Botani Pharm Reviews
From offscreen friendships and jarring pay inequality to the special furnishings and makeup tricks that brought some of the world's favorite movie characters to life, The Wizard of Oz (1939) had and so much going on behind the emerald curtain and the Technicolor gloss of an amazing fantasy world.
In award of the 80th ceremony of the motion picture, follow the yellow brick slideshow to peek behind that curtain and learn more most the secrets and fun facts that make the dearest picture show a timeless classic.
Margaret Hamilton Was a Fan Before the Film
Every bit a cocky-proclaimed lifelong fan of L. Frank Baum'southward Oz serial, Margaret Hamilton was thrilled to exist considered for a role in the 1939 moving-picture show adaptation. Hamilton chosen her agent to ask which character the producers wanted her to play, and her agent famously said, "The witch — who else?"
Hamilton, a single female parent, fought MGM for an agreed upon amount of guaranteed work time. 3 days earlier filming began, the studio agreed to a v-calendar week deal. In the end, Hamilton was on set up for three months, but many of her scenes were cut for existence too scary for audiences.
Dorothy'south Original Look Was More Movie Star Than Farm Girl
Sure, Dorothy Gale doesn't need prosthetics or aluminum makeup, but that doesn't mean Judy Garland wasn't put through the costume section wringer. Although she was young at the time, the 16-year-erstwhile Garland had to wear a corset-like device and then she looked more similar a preadolescent child.
Director Richard Thorpe suggested Garland wear a blonde wig and loads of "baby-doll" makeup (as any preadolescent daughter would…). Luckily, that vision of the character changed. Afterwards MGM fired Thorpe, the intermediate director George Cukor nixed the heavy makeup and wig. Instead, he told Garland to exist herself. Smart motility.
The "Skywriting" Scene Employed Some Great Movie Magic
The Sorcerer of Oz employs a lot of dandy picture tricks, and some of the almost unique were used in the skywriting scene. In information technology, the Wicked Witch (Margaret Hamilton) flies above the Emerald City, leaving the phrase "Give up Dorothy" in her wake in black smoke.
Using a hypodermic needle, the special effects team spread black ink across the bottom of a glass tank that was filled with a thick, tinted liquid (some speculate milk). They wrote the phrase in reverse and filmed the scene from below. Initially, the skywriting concluded with the ominous "Or Die — Due west Due west Westward."
The "Snow" in the Poppy Field Was Actually Dangerous
One of the Wicked Witch's last-ditch efforts to impede Dorothy'southward quest to meet the Wonderful Magician of Oz involves a poppy field and some magical sleep-inducing snow. While many like to joke that the poppies and their drowsiness are the issue of opium (a component of poppies), the scene has a much more blatant toxic connexion than that.
All that magical snow? It's actually 100% industrial-form chrysotile asbestos. Even though the health risks associated with the textile were known at the time, information technology was still Hollywood's preferred choice for fake snowfall. Our advice to Dorothy? Don't take hold of any snowflakes on your tongue.
Scarecrow's Makeup Stuck Around for Awhile
In the end, Ray Bolger (Scarecrow) was probably grateful in more than ways than one for Buddy Ebsen (the original Tin Man's) willingness to trade parts with him. The Tin Man's aluminum makeup caused a huge amount of problems for Ebsen, who was replaced by Jack Haley.
Although Bolger'southward makeup experience was better than Ebsen'due south, he still had some problems. The Scarecrow's makeup consisted of a rubber prosthetic, complete with a woven design that mimicked the look of burlap. Afterwards the picture wrapped, the prosthetic left patterns on Bolger'due south face that took more than a year to fade.
Margaret Hamilton Was Burned On Set up
In a outburst of flames and red smoke, the Wicked Witch (Margaret Hamilton) vanishes from Munchkinland. Although the scene is terrifying for viewers, it may accept instilled more fear for Hamilton. On the kickoff accept, the fume rose from a hidden trapdoor likewise early.
For the 2nd have, Hamilton stood on the trapdoor as planned, but her cape snagged on the platform when the fire flared upwards. Her copper-containing makeup heated upward instantly, causing second- and tertiary-degree burns on her easily and confront. To make matters worse, the crew tried to remedy her burns with (an fifty-fifty more painful) acetone solvent.
The Flying Monkeys Became Falling Monkeys
The Wicked Witch'southward legion of flight monkeys — or Winged Monkeys as they're called in the source material — have certainly been a source of terror for generations. Nearly as scary as the Witch herself, these henchmen soar onto the scene to kidnap Dorothy and Toto — thanks to the magic of piano wires.
Even so, the aeriform stunt went awry when several of the piano wires snapped, sending actors plummeting a few feet to the soundstage flooring. To create such a vast troupe of monkeys (and cut down on homo marionettes), filmmakers made miniature prophylactic monkeys to help populate the sky.
"Over the Rainbow" Was Almost on the Cut Room Floor
To no one's surprise, the American Picture show Institute ranked "Over the Rainbow" #ane on a list of 100 Greatest Songs in American Films. Merely what may surprise you? The (arguably) virtually iconic vocal of Judy Garland's career was virtually cut from the film.
Studio execs at MGM thought the song made the Kansas scenes too long. Moreover, filmmakers were concerned that children wouldn't understand the song's significant. Luckily, this unfounded concern melted like lemon drops. Unfortunately, Garland's tearful reprise of the song was left on the cutting room floor.
The Tin Human being Costume Didn't Let Jack Haley to Residuum Easy
Although Bert Lahr had to schlep effectually in a 90-pound lion costume, Jack Haley didn't have it like shooting fish in a barrel either. From the lingering concerns almost the aluminum paste-based makeup on his confront and easily to the minimal flexibility of the "tin" torso and arms, Haley faced some challenges.
Reportedly, his costume was so stiff that he had to lean confronting a board to rest properly. Many years afterwards, actor Anthony Daniels, known for playing the protocol droid C-3PO in the Star Wars films, had the same issue with his rigid costume. It seems even fantasy and sci-fi can't help folks escape all their problems.
The Original Can Man Was Rushed to the Hospital
Initially, Buddy Ebsen was cast as the Scarecrow, but traded parts with Ray Bolger. Yet, Ebsen's new character, the Tin Man, caused him a world of issues. Namely, the character's argent makeup independent a harmful aluminum dust that coated Ebsen's lungs.
To make matters worse, Ebsen had an allergic reaction, and, unable to breathe, he was rushed to the infirmary. MGM recast the role with Jack Haley (and changed up the makeup), merely didn't explicate why Ebsen "dropped out." Although Ebsen didn't appear in the final film, his vocals tin exist heard in "We're Off to See the Wizard."
A Stocking & Some Miniatures Gave United states of america the Tornado
The tornado that strikes the Gale homestead is full of practical special effects that really hold upward. The funnel itself was actually a 35-foot long stocking made of muslin. The special effects squad spun it around miniatures that resembled the farms and fields of Kansas. Against the painted backdrop, the tornado looks menacing.
The Gale house, which falls from the heaven and into Oz, is merely a miniature house that was dropped onto a sky painting. Filmmakers and so reversed the footage to get in look like the firm was falling out of the clouds.
Hollywood Didn't Pay Upward Then Either
Pay inequality has e'er been an issue in Hollywood. For example, Adriana Caselotti, voice of the titular character in Walt Disney's Snow White and the 7 Dwarfs (1937), made $970 for her performance. The film went on to make roughly $eight one thousand thousand.
Co-ordinate to the Los Angeles Times, Judy Garland'due south pay was better than Caselotti's — playing Dorothy earned her $500 a week — just information technology still didn't reverberate the flick's success. Even more discouraging, the folks who portrayed the citizens of Munchkinland were paid a mere $50 per week. (Meanwhile, Terry the dog earned $125 per week as Toto. A real yikes.)
Bert Lahr's Lion Costume Was Taxing
Originally, MGM thought it might cast its mascot — the actual lion used in the studio'due south title menu — as the cowardly grapheme. Fortunately, for the safety of the actors and the creature, the filmmakers decided to bandage thespian Bert Lahr as the anthropomorphic character instead.
To make a convincing fauna, the costume department fashioned Lahr a xc-pound outfit made from real lion skin. However, the arc lights used on set made things a steamy 100 degrees during filming, which meant Lahr did a lot of sweating unrelated to his grapheme's nerves. Each nighttime, two stagehands stale the costume for the next twenty-four hour period.
The Initial Box Office Returns Were Uneven
The motion picture started shooting in October of 1938 simply didn't wrap until March of 1939, racking up an unheard of $ii,777,000 in costs. That's nearly $fifty million adapted for aggrandizement. Upon its initial release, the movie only earned $3 1000000 at the box function — most $51.viii million past today'south standards.
Although that seems impressive for a Depression-era film, remember that Disney made $viii million with Snow White and the 7 Dwarfs (1937). The Wizard of Oz's small-scale success in the U.S. barely covered product and motion picture rights' costs — MGM paid $75,000 to the publisher for those — simply success overseas fortunately bolstered the film's returns.
The Dark Side of Oz in a Time Earlier "Me Too"
Judy Garland was merely 16 years old when she was bandage equally Dorothy. Insecure and lonesome, she became addicted to amphetamines and barbiturates, which were often given to young actors to assist them sleep afterwards studios shot them up with adrenaline so they could work long hours.
The spotlight — and her damaging contract with MGM — didn't help, leading to her lifelong struggles with an eating disorder and alcoholism. Co-ordinate to a author for Express, "[Garland] was molested by older men, including studio chiefs [and head Louis B. Mayer], who considered her little more than their 'property.'" Moreover, MGM forced Garland to stick to a wildly unhealthy diet of cigarettes, coffee and craven soup.
The Vox of Snow White Had a Cameo
A few years before The Sorcerer of Oz debuted, Walt Disney'southward characteristic-length animated flick Snow White and the Seven Dwarfs (1937) became a smash-hit. Non only did the film revolutionize the animation industry, information technology also reinvigorated the fantasy genre.
Disney wanted to follow up Snow White — and then the almost successful motion-picture show of all time — with an adaptation of The Wizard of Oz, but MGM endemic the rights. By happenstance, Adriana Caselotti, who voiced Snow White, had an uncredited role in Oz. During the Tin Homo'south "If I But Had a Eye," Caselotti speaks her sole line, "Wherefore art thousand Romeo?"
The Cherry-red Slippers Are Props & Treasured Artifacts
Keeping in line with the volume, Dorothy'southward iconic footwear was originally silver, but screenwriter Noel Langley felt the ruby color would really pop in glorious Technicolor. Designed by MGM's chief costume designer Gilbert Adrian, the shoes are each covered in near ii,300 sequins.
I of the remaining pairs is on view in the Smithsonian Institution's National Museum of American History. Since the brandish is then heavily trafficked, the museum has replaced the carpet there several times. Another pair were stolen from Minnesota's Judy Garland Museum in 2005, but the FBI recovered the slippers for the institution in 2018.
Only One Sequence Was Filmed "On Location"
The Sorcerer of Oz is your archetype adventure story, and Dorothy'southward quest leads her from a Kansas subcontract to some other world — complete with corn fields, poppy-filled meadows and forests. Yet, despite all these scenic locations, nigh all the scenes were shot on a soundstage.
As was customary at the time, immense, detailed backdrops were painted by studio artists, making information technology possible for filmmakers to transport audiences to far abroad places without filming on location. In fact, the only location footage in the film is the opening title sequence — those clouds are 100% the existent deal.
A 2d Toto Was Brought In
Toto, played primarily by Terry, is one of the most dearest dogs in moving picture history. Terry was famously not a huge fan of special effects and can often be seen running out of a shot when something loud or alarming happens — like when the Tin Man spouts out all of that steam.
After ane of the Witch's guards accidentally stepped on her, Terry was on bedrest for two weeks. Filmmakers went through two doubles to find i that resembled the original canine actor more closely.
Fun fact: Judy Garland was so fond of Terry that she wanted to adopt the canis familiaris.
Margaret Hamilton "Mourns the Wicked" Witch
In addition to being a huge fan of the Oz books, Margaret Hamilton too believed her character was more than merely your run-of-the-mill evil villain. More than than 35 years later on the film debuted, Hamilton, donning her Witch's costume to show kids it was brand-believe, appeared on Mister Rogers' Neighborhood, where Fred Rogers interviewed her nigh the character.
According to Hamilton, the so-called Wicked Witch relished everything she did, simply she was also a lamentable, lonely effigy. In curt, things never went well for the frustrated Witch. Oddly enough, the Broadway musical Wicked also takes this arroyo to the Witch's graphic symbol.
The "Horse of a Different Color" Was Made Possible Thanks to a Food Product
In 1939, audiences were just equally amazed equally Dorothy, Scarecrow, Tin Man and the Cowardly Lion when the horse in Emerald Urban center took on a rainbow of colors. This "horse of a unlike color" was made possible thanks to a surprising food particular…
Jell-O crystals were used to color the horses, which meant filmmakers had to motion quickly — the animals were eager to lick up the sweetness care for. Merely the colorful steed isn't the merely interesting component in this fan-favorite scene. The horse-drawn wagon was in one case owned by President Abraham Lincoln and at present resides at the Judy Garland Museum.
The Makeup Section Hired on Extra Hands
From the citizens of Munchkinland and Emerald City to the Witch's flying monkeys, so many actors had to undergo a makeup transformation in social club to requite life to this fantasy flick. To go along up with the daily demands, MGM chosen upon workers from the studio mailroom and courier service to manage makeup stations.
Since most of the Ozian ensemble required prosthetics, makeup artists — and "makeshift" artists — formed a kind of costuming associates line. Nigh actors had to make it before v:00 in the morning — six days a week! — to begin the intensive procedure.
Memorable (& Often Misquoted) Lines Fill the Flick
The film is clogged of iconic, memorable songs, and it has the great fortune of beingness responsible for some of the most quoted lines in movie history as well. In 2007, Premiere compiled a list of "The 100 Greatest Movie Lines" and placed a whopping three of the film's lines on the list.
"Pay no attention to that homo backside the pall" was voted #24, while "There's no identify like home" nabbed the 11th spot. Finally, the frequently misquoted "Toto, I take a feeling we're not in Kansas anymore" landed in the 62nd spot.
The Witch's Fire Employed Some Technical Wizardry (& Juice)
Clearly, the technical wizardry — or witchcraft — in the movie is incredible. Like the "horse of a different color" sequence, another iconic, special effects-heavy scene harnessed the power of everyday household items to pull off fun tricks.
Shortly afterwards Dorothy arrives in Munchkinland, the Wicked Witch tries to snatch the ruby slippers from the young daughter'due south feet. All the same, fire strikes the Witch's hands, repelling her. This "fire" is really apple juice spouting from the slippers in a sped-up prune to brand it look more flame-similar.
Technicolor Required Some Ingenuity in the Props Department
Experimenting with Technicolor was part fun and office problem-solving for filmmakers. In social club to properly capture scenes with the Technicolor photographic camera, the soundstage needed to be lit with arc lights, which often heated the prepare to a toasty 100 degrees.
Subsequently the lights were fix, the experts experimented with what would await best on film, especially in colorized class. For example, the white part of Dorothy'southward clothes is actually pink — merely because it filmed better. And the oil the Can Human being is so excited most? Information technology'southward really chocolate syrup.
The Wicked Witch of the East Makes More Than Ane Appearance
Part of the Wicked Witch of the West'southward beef with Dorothy is that the young girl dropped a house on her sister, the Wicked Witch of the East, who was the short-lived possessor of the reddish slippers. Although Margaret Hamilton already plays both the Wicked Witch of the West and her Kansas counterpart Almira Gulch, she also plays the Wicked Witch of the Due east — if simply briefly.
During the tornado sequence, an befuddled Dorothy looks out her sleeping room window and watches Gulch transform into a witch, her shoes shimmering. For fans, this glint indicates the witch outside the window is wearing the ruby slippers. The restored version of the flick makes that shimmer even more than noticeable.
The Motion picture'southward Running Fourth dimension Was Cut Downward Several Times
The offset cut of the film clocked in at a running time of 120 minutes. Although that seems like zero by today's Marvel movie standards, producer Mervyn LeRoy felt it was long and unwieldy and wanted to chop off 20 minutes.
After cutting the famed "Jitterbug" number (top correct) and an extended Scarecrow dance sequence, the film was 112 minutes long. LeRoy held a second preview screening, and, subsequently, nixed Dorothy'south "Over the Rainbow" reprise, an Emerald Urban center reprise of "Ding! Dong! The Witch Is Dead," a scene where the Tin Man becomes a homo beehive (Yikes!) and a few Kansas sequences.
And then Much for a "Wicked" Witch
Filmmakers deemed Margaret Hamilton's Wicked Witch of the West performance too frightening for audiences and cut or trimmed many of her scenes. But not anybody idea her performance was terrifying — namely Judy Garland, who played the Wicked Witch'south nemesis, Dorothy Gale.
Off-screen, the film's starring foes were really friends. One story that emerged from the set described Garland excitedly showing off a apparel to Hamilton, declaring she was going to wear information technology for her graduation. Unfortunately, MGM's Louis B. Mayer sent Garland on a press tour the day of her graduation. Upset, Hamilton phoned Mayer and chewed him out.
Giving Credit to Technicolor
In the opening credits, the text reads "Photographed in Technicolor," as opposed to the more apt "Color Sequences by Technicolor." The phrasing of the credits makes it seem as though the entire film was shot in color. Was this washed deliberately, or was it a minor syntactical faux pas?
Information technology's widely believed this was a bit of a stunt done to enhance the surprise of the pic turning into full three-strip Technicolor when Dorothy arrives in Oz. Posters fabricated at the fourth dimension of the moving picture's debut made no mention of sepia tint (or "black-and-white"), calculation credence to this theory.
1 of History'southward About-Watched Films
Although The Wizard of Oz proved popular in theaters, another film released the same year, also directed by Victor Fleming, actually topped the box part. (You lot may have heard of that little movie — it's called Gone with the Wind.) Nonetheless, MGM's musical fantasy may have more than staying power than other films of the era, thanks in office to re-releases.
The flick was get-go circulate on television on November 3, 1956, and garnered an impressive 44 million viewers. It's believed that The Wizard of Oz is one of the x well-nigh-watched feature-length movies in picture show history, largely due to the number of almanac tv set screenings, theater viewings and various format re-releases.
Source: https://www.ask.com/entertainment/wizard-of-oz-facts?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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